<!-- Source: https://www.dicebear.com/styles/marbles/presets/ -->
<!-- Documentation for DiceBear 10.7.0. The complete docs as one file: https://www.dicebear.com/llms-full.txt -->

# Marbles presets

Every preset here is an ordinary set of render options. Nothing needs to be
installed, and the same values work in all seven libraries and as HTTP-API query
parameters. Pick one to read its code, or open it in the playground and change
whatever you like.

Options a preset does not set keep varying with the seed, so most of these stay
as unique per user as the plain style does. Each preset lists how many distinct
avatars it still leaves you.

## Bare

The nose is the style's one optional piece and it appears on three of four seeds. Without it the face is eyes and a mouth, which is closer to how the smaller drawing styles handle a face at avatar size.

```json
{
  "noseProbability": 0
}
```

## Sepia

The sphere is shaded by three blurred ellipses rather than a gradient definition, so a monochrome set has to move all of them together: the second color, the pale tint and the ground.

```json
{
  "backgroundColor": ["f1e7d8"],
  "sphereColor": ["b98f6c"],
  "blendColor": ["8a6244"],
  "tintColor": ["e6d3ba"],
  "inkColor": ["2f2016"]
}
```

## Greyscale

The face is one ink weight on a shaded ball, and both survive losing color. Useful for a print stylesheet or anywhere color would carry meaning it should not.

```json
{
  "backgroundColor": ["ececee"],
  "sphereColor": ["b6b6b9"],
  "blendColor": ["7c7c80"],
  "tintColor": ["dcdce0"],
  "inkColor": ["1a1a1e"]
}
```

## Duotone

Sphere, blend and tint take the same hue at three steps, which is as close to a single color as the shading allows. The style requires the blend to differ from the sphere, so the two cannot collapse into one.

```json
{
  "backgroundColor": ["e6e8f5"],
  "sphereColor": ["8e97d6"],
  "blendColor": ["5a63a8"],
  "tintColor": ["cfd4ee"],
  "inkColor": ["1d2040"]
}
```

## Muted

The style ships fifteen spheres at full saturation. These are the same marbles in tones that hold still, which suits a list where a dozen appear at once.

```json
{
  "backgroundColor": ["ece8e0"],
  "sphereColor": ["a5a58d","b98b73","8e9aaf","9c8a94","8fa38f","b0a58c"],
  "blendColor": ["8a8a72","9c7460","737f94","82707c","7d8f7d","978c76"],
  "tintColor": ["ddd8cc","e4d5c8","d3d8e2","ded3d8"]
}
```

## Electric

The same lever the other way. The ground goes near black and the ink with it goes pale, because the hair and the antennae are drawn outside the sphere where a dark line would disappear.

```json
{
  "backgroundColor": ["0f0f12"],
  "sphereColor": ["ff2e88","00e5ff","7cff00","ffe600","ff6a00","b400ff"],
  "blendColor": ["b400ff","ff2e88","00e5ff","7cff00","ffe600","ff6a00"],
  "tintColor": ["ffd6f0","d6fbff","eaffd6"],
  "inkColor": ["f4f4f6"]
}
```

## Pastel Wall

The style ships a single background. Five pale ones turn a set from a sheet of specimens into something that belongs to whatever page it sits on.

```json
{
  "backgroundColor": ["ffe3ea","e3edff","e2f5e9","fdf1d4","efe6ff"]
}
```

## Bold Pop

Loud enough that the avatar holds its own against a busy page. The ink goes near white, since the hair reaches past the sphere and onto the ground.

```json
{
  "backgroundColor": ["ff5d8f","ffb703","43aa8b","4d96ff","b57bff"],
  "inkColor": ["f8f8fa"]
}
```

## Night Shift

For dark interfaces. The marbles are bright already, so only the ink has to move, and it moves because the hair is drawn outside the sphere.

```json
{
  "backgroundColor": ["16161a"],
  "inkColor": ["f4f4f6"]
}
```

## Sunrise

Shows the gradient background options: two colors, a linear fill and a fixed angle. The seed still decides which of the two ends up on top.

```json
{
  "backgroundColor": ["ffd9b0","ffa8bf"],
  "backgroundColorFill": "linear",
  "backgroundColorAngle": 135
}
```

## Full Cast

The nose is a two variant component at three quarters probability. Turned all the way up, every face gets the extra mark and the set reads as one drawing rather than two.

```json
{
  "noseProbability": 100
}
```

## Close Up

Uses scale rather than color. This one stops at 1.1 where the other styles go further, because the hair and the antenna are drawn above the sphere and reach the top of the frame. Anything tighter cuts them off mid stroke.

```json
{
  "scale": 1.1
}
```