<!-- Source: https://www.dicebear.com/styles/slice/presets/ -->
<!-- Documentation for DiceBear 10.7.0. The complete docs as one file: https://www.dicebear.com/llms-full.txt -->

# Slice presets

Every preset here is an ordinary set of render options. Nothing needs to be
installed, and the same values work in all seven libraries and as HTTP-API query
parameters. Pick one to read its code, or open it in the playground and change
whatever you like.

Options a preset does not set keep varying with the seed, so most of these stay
as unique per user as the plain style does. Each preset lists how many distinct
avatars it still leaves you.

## Sepia

Each band carries a different amount of white over the body color, so a single hue already covers the whole tile. Swapping that hue for brown moves the entire ramp with it.

```json
{
  "backgroundColor": ["efe6d9"],
  "bodyColor": ["6f4c33","8a6244","a2795a","5a3c28"]
}
```

## Greyscale

The style is a lightness ramp before it is a color, which is exactly the kind of drawing that survives losing hue. Useful for a print stylesheet.

```json
{
  "backgroundColor": ["eeeef0"],
  "bodyColor": ["4a4a50","63636a","37373c","757580"]
}
```

## Duotone

A single body color across a whole set, so nothing but the silhouette, the cuts and the tilt separates two avatars. The bands still give each one its own ramp.

```json
{
  "backgroundColor": ["e8eaf4"],
  "bodyColor": ["4a54a8"]
}
```

## Muted

The shipped palette is a full hue circle at one saturation. These are the same shapes in tones that hold still, which suits a list where a dozen appear at once.

```json
{
  "backgroundColor": ["ebe7df"],
  "bodyColor": ["6b705c","9c6b58","5f6a72","7c6a72","63705f","8a7a5e"]
}
```

## Electric

The same lever the other way. The ground goes near black so the top band, which is the palest one, reads as lit rather than printed.

```json
{
  "backgroundColor": ["0f0f12"],
  "bodyColor": ["ff2e88","00e5ff","7cff00","ffe600","ff6a00","b400ff"]
}
```

## Pastel Wall

The style ships five near white backgrounds that barely differ. Five pale colors make the ground a choice rather than a default.

```json
{
  "backgroundColor": ["ffe3ea","e3edff","e2f5e9","fdf1d4","efe6ff"]
}
```

## Bold Pop

Loud enough that the avatar holds its own against a busy page. The palest bands are the ones that have to work here, and they do.

```json
{
  "backgroundColor": ["ff5d8f","ffb703","43aa8b","4d96ff","b57bff"]
}
```

## Sunrise

Shows the gradient background options: two colors, a linear fill and a fixed angle. The seed still decides which of the two ends up on top.

```json
{
  "backgroundColor": ["ffd9b0","ffa8bf"],
  "backgroundColorFill": "linear",
  "backgroundColorAngle": 135
}
```

## Stencil

Every avatar gets the same near black ground, so nothing distinguishes them but the cut. That turns a set from a group of pictures into an icon sheet.

```json
{
  "backgroundColor": ["16161c"]
}
```

## Shattered

Four of the sixteen cut patterns push the bands as far sideways as the style goes. Kept on their own, the silhouette stops being readable as one shape, which is the far end of what the style is for.

```json
{
  "cutsVariant": ["triDeep","quadDeep","fiveDeep","sixDeep"]
}
```

## Close Up

Uses scale rather than color. Cropping in turns the composition from a complete picture into a detail of a larger one, which reads better at small sizes.

```json
{
  "scale": 1.4
}
```